Matador Body Painting ArtA multitude of actions are taking place in a small space. The artwork depicts a bull-headed Minotaur (Picasso's alter ego throughout the '30s). The animal is silhouetted against sea and sky. He stretches out one arm towards a young girl who stands calm in the face of his approach. She holds a lit candle in one hand and a bouquet of flowers in the other. While the Minotaur appears threatening at first glance, he actually seems to shield himself from her candlelight.
In between them, is a terrified horse (a symbol for Marie-Thérèse) who rears on his hind legs. The horse has a gash in its belly, which seems to be caused by the Minotaur. Across the horse's back lies an unconscious female matador. Her (pregnant?) body is half-naked and her face looks exactly like Marie-Thérèse. She holds a sword between the Minotaur and the horse. Also in the artwork is a man on a ladder against a wall, who observes the scene. His head is turned around facing out, giving him a crucified Christ-like appearance (a symbol for Picasso) Two young girls with doves (symbol of peace), looking through a window, also observe the scene.
The most important symbol is of course the minotaur itself. The minotaur stands for a oneness of man and bull. It appears increasingly in Picasso's etchings of the 1930s. This being represents the duality in all men and in the artist himself; the opposing forces he wanted to put together as person and as artist.
In between them, is a terrified horse (a symbol for Marie-Thérèse) who rears on his hind legs. The horse has a gash in its belly, which seems to be caused by the Minotaur. Across the horse's back lies an unconscious female matador. Her (pregnant?) body is half-naked and her face looks exactly like Marie-Thérèse. She holds a sword between the Minotaur and the horse. Also in the artwork is a man on a ladder against a wall, who observes the scene. His head is turned around facing out, giving him a crucified Christ-like appearance (a symbol for Picasso) Two young girls with doves (symbol of peace), looking through a window, also observe the scene.
The most important symbol is of course the minotaur itself. The minotaur stands for a oneness of man and bull. It appears increasingly in Picasso's etchings of the 1930s. This being represents the duality in all men and in the artist himself; the opposing forces he wanted to put together as person and as artist.
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